Medium 2.0 launches with great features, and dreadful branding

Ben Moss.
October 08, 2015
Medium 2.0 launches with great features, and dreadful branding.
Medium is just two years old; staggering considering that the site has redefined how we think about blogging. With an elegant editor, great dashboard tools, social connections, and no cost, it’s one of the best options available to writers. Medium is a byword for simplicity and readability. Its careful typography, unobtrusive branding, and contextual comments have been genre defining. But like any business, Medium wants to move forward. Today Medium have announced their 2.0 reboot, delivering new features and enhancing old favorites across the publishing platform; and the news is (mostly) good. Echoing a wider trend in the industry, Medium reports that readers spend more time on their mobile apps than the website, so Medium’s iOS and Android apps have been updated to enable writing and editing on mobile, in addition to reading. Those who prefer to use the web dashboard will notice tons of improvements to the writing experience, most notably adding TK; TK is publishing notation for “to come” and provides a way for writers to note parts of a story that need to be finalized. Simply add “TK” to a paragraph or heading, and Medium will warn you that your post might not be ready, if you try to publish it. All of the typography has been reassessed, and two new typefaces have been introduced. Display text is now set in Kievit, body text is now set in Charter — expect this pairing to be massively emulated in the next six months.
Today’s Medium typography refresh is an evolution. We set out to support a wider variety of stories, bring richer typography to Medium — Brad Birdsall

Medium is primarily about reading, so getting the typography right was a pivotal task for the design team. Marcin Wichary has written a great post on the details in the typefaces, which highlights some of the complexities involved in selecting fonts for multiple languages. What’s really interesting is that for their UI, Medium has elected to use system fonts, meaning that Medium’s interface blends with the native UI. Rather than a distinction being drawn between Medium and the native OS, the distinction is drawn between the story and the UI. It’s an inventive way of focusing attention on content. One of the biggest changes is that Medium has embraced the language of Twitter. You can now @ someone and (hopefully) elicit a response, moving Medium away from anecdotes, and towards the conversations that their contextual comments have always favored. There’s also a new publishing API, allowing you to build an editor that will publish straight to Medium, or hook up a platform like WordPress and syndicate content onto Medium’s platform. If you want to, you can even use a custom domain with your account. Finally, there’s a new logo… new Medium’s new logo Medium’s original logo uses the uppercase ‘M’ from the Stag typeface. It’s a little lopsided in isolation, but it’s bold, recognizable, and appropriate — it conveys Medium’s emphasis on typography, minimalism, and journalism. original Medium’s original logo The new logo, developed by the in-house team in conjunction with type foundry PsyOps is a geometric logomark, coupled with a geometric sans-serif logotype. The new logo is proof positive — if proof were needed — that good math does not equate to good design. progress Medium’s new logo in development The process of redesigning the logo has been documented by the team and it’s clear from the early designs, and the “just for kicks” video they’ve put together, that the team had some dynamic, exciting, and appropriate ideas that deserved to be fully investigated. Whether they ran out of time, or suffered a management hatchet-job is unclear, but the final logo looks like a poor first draft. The vibrant colors have been reduced to monotone. And to add insult to injury, they’ve rounded the corners on the logomark, destroying the isometric effect that might have emerged given sufficient iterations. Medium’s new logotype feels just like Facebook’s, and Google’s, and Opera’s; it’s an inoffensive, corporate, geometric sans that speaks little to the product it claims to represent. Medium’s new brand is weak, clichéd, and inappropriate; happily branding can be revised. What matters most is the product, and the updated Medium raises the benchmark for online publishing once again. Medium is likely to remain the accepted standard for blogging, for some time to come.

Ben Moss

Ben Moss has designed and coded work for award-winning startups, and global names including IBM, UBS, and the FBI. When he’s not in front of a screen he’s probably out trail-running.

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