Greetings, readers! Summer is here. It’s time to beat the June heat by staying inside where the air conditioner is. While you’re there, have a look at our latest collection of portfolio sites.
This month brings a lot more minimalism of the aggressive, low-on-color variety. Well, in a way, it’s simpler. Even so, you’ll find that more than a few designers are using these constraints to help them find creative solutions, and that’s always exciting.
That creative touch might be an entirely new kind of design. Or, as is more likely, one or two little details, small things, completely change the feel of the site, making it new and interesting.
Also, there’s a fair few sites from France this time.
If you want to be included in next month’s roundup, contact me at firstname.lastname@example.org.
We start with one of our more animated entries. Bukwild’s portfolio focuses a lot on their interaction design, so naturally, their site is almost constantly in motion. They don’t just show off the interfaces themselves, they show how users interact with them
Combined with their excellent sense of aesthetics, and talent for using white space as a weapons-grade design element, this is one site I would browse just for fun.
Admittedly, Daniel Benzie’s one-page portfolio just barely makes it into the “portfolio category”, by virtue of a couple of non-linked thumbnails. Still, I’m a sucker for good typography, UX that doesn’t make you think, and minimalism. This site happens to tick all of those boxes.
Grace Scuitto’s portfolio is so simple, it would be easy to overlook. It looks nice, and that’s about it, at first glance, until you start scrolling. Now, I’ve seen backgrounds change color before, but look at the way it changes the experience on her site.
That one detail, that one effect changes the whole experience somehow.
Twenty Nine NYC
Twenty Nine NYC is a media studio that does a variety of things. In order to show off that variety, they’ve taken a somewhat ingenious, if initially confusing approach. Instead of using any conventional layouts they have used desktop windows. Some of these windows just hold images and others show off web sites that they’ve built and you can browse those websites right within those tiny little windows.
Now this might not be the most usable approach all things considered. However, it is certainly creative, and it puts their work in a live, usable context.
Benjamin Jackson’s portfolio is one of those sites that, while presenting very different kinds of work, presents it all with the same theme. Besides, I love the use of the Quarto font family here.
Etienne Ledemay’s is an excellent example of using the conventions of flat design in an original way. While none of the site’s elements are new, and the layout is nothing complex, the site nonetheless feels new and different to most of what’s out there.
Plus, you know, my thing for yellow.
I’ve never seen a complete, if short, story told with just lines before. Deckchair did it, though. Just go to the home page and scroll down. Watch the mess get turned into… something else. I feel like that says more than the text, and the rest of the Material Design-inspired site ever could.
David Arias’ portfolio site mixes things up by sort of “cutting things in half”. It’s an aesthetic I’ve never quite pulled off myself.
Here, it works because there’s not a lot of content, but there is a lot of space to fill. Besides, if you want to see any full image, all you have to do is hover over it, or tap your way through the link on mobile.
Les Singuliers is, according to what little French I can decipher, an art direction, and possibly branding design studio. While I can’t make heads nor tails of exactly what it is that they do, I can see the influence of their work in their website.
Theis Bothmann’s portfolio is minimalist, simple, and supremely stylish. Ok, when I say stylish, what I mean to say is that I love those diagonal lines. I’m a sucker for people who find simple, subtle ways to break away from the default shape we’re given to work with when building websites.
Great use of color, too.
The portfolio site for Studio Chevonjon puts the work front and center. Scrolling down will show you photo after photo of, hotels, restaurants and other such establishments.
Naturally, all of the focus is on the imagery. The eye is drawn toward the photos with an asymmetrical layout. Unfortunately, the site does tend to hijack your scroll wheel.
Jürgen Hassler’s portfolio brings us back to that very minimalist, thin-font-loving aesthetic. The asymmetrical layouts and their love for solid blue is nothing new. However, the site is an excellent example of its class.
The animations are smooth, the UI elements look elegant, the execution is just that good.
Waaark is one of those websites that feels more like a presentation than a web site. The layout is presentation style the animations are dynamic, and fluid, and beautiful and the whole thing is just very pretty. Based on visuals alone, it definitely belongs on this list.
The portfolio site for Little, an ad agency, takes a somewhat different approach. While most portfolio sites start with either their work, or a quick bit of text about themselves, Little starts with social proof.
The first thing you’ll see is an award they won. Only after you get past that will you see case studies, and only the case studies for their biggest customers (Microsoft, Lowe’s, Sealy, etc.) It is, as stated, a somewhat unorthodox approach, but if it works for landing pages, maybe it works here.
Shorthand Doesn’t do anything spectacular with their layouts. This is just one of those sites where the quality is good enough to be featured in this article, based on execution alone.
Decent UX, good typography, and the general sense of professionalism make of this site worth looking at.
Twistudio features a delightfully monochrome design. Thin fonts, thick borders, it feels like a contract or other legal document, except you can read it. And it has pretty pictures. So like a legal document crossed with a children’s book.
MSDS is a studio that does furniture, lighting, and interior design. The website brings us back to that asymmetrical layout, the monospace type, and… pastels? Well, as disappointed as Morticia Addams would be, I think it works.
Well, MSDS and I aren’t the only ones who love some good asymmetry and pastels. Alessandro Risso uses a very similar approach on his own portfolio site, and it’s pretty.
Yep, I’m still in love with those big layouts that stretch right across my HD screen. Commando Group does it right by over-complicating exactly nothing. Little text, big images, as few columns as possible, and a dark background for a bit of variety. I dig it.
IYA Studio. It’s simple, it looks good, it runs smooth. The navigation is, as with most of these presentation-style sites, not the most intuitive. But darn, the rest looks pretty.
Anthony Goodwin is an art director and designer in the UK. Using both small graphical details and quick sudden animations he has managed to make his website look sort of digital and glitchy, and since he works primarily in digital media this fits perfectly. The typography and color scheme complete the effect.
Futura’s portfolio brings back that minimalist-except-everything-has-a-thin-grey-border look. I’ll be honest, I missed it a little. When done right, as it has been here, it inspires a sense of order and organization. I feel like I can trust the people who made it to be precise. Looking at the rest of their work, I’d say that feeling is well-founded.
Stinkdigital takes an interesting approach to flash design. It makes use of a large number of gradients but the gradients are used primarily in the site’s graphics and not in the interface.
This seems to force the graphics to jump out at you in much the same way a button would. Since most of these graphics can be interacted with, it drives the site’s interaction while keeping that elegant flight design feel.
Charlie Isslander’s portfolio changes things up a little by using horizontally scrolling elements. It starts on the home page, where his most recent projects will scroll across the screen. After that, it’s all vertical, except for when there’s an element that deserves special attention.
That is, on the case study pages, certain elements (I suspect they are the parts of his projects of which he is most proud) will move a bit from right to left, unerringly drawing the eye. It’s a technique that makes a well-done, but otherwise unoriginal design, feel very different.
Whirligig is a studio that specializes in animation and illustration. They stick to simple layouts that adapt to large screens as well as small. Like on the sites of many other animation studios, the thumbnails of their projects come to life when you hover over them.
There is not a lot of text as they want the work to speak for itself. Given that a picture is worth 1000 words and there are at least 25 frames every second I’d say that’s enough.